Post the overwhelming sense of desire for the particular angle of the space from our rehearsal, I have decided to incorporate that into the work. The angle of the space gives this feeling of depth and unclear lines. It is a never ending space but it continues to flow through time. Producing a unique angst. With filming happening from the ground up it gives the audience this lowly feeling, as if they can't see what is really happening, already having them desiring to look for something more.
We immediately have this need to search for something more, that we may never get.
Our first video meeting happened two weekends ago and we set out the structure for the film as follows:
1. Stacking Plates
2. Staring at Plates
3. Crashing of the Plates
*Potentially Staring, Again
4. Re-stacking of the Plates
5. Tick Tock Behind Plates
It is this final "Tick Tock Shape" that then carries over into the live dancing, allowing the piece to continue to flow from film to space. After the "dancing" ends, I (Katie) sit up and stare at my plates. It is at that moment that video comes back to end the piece with one more, and the final crashing of the plates.
We immediately have this need to search for something more, that we may never get.
Our first video meeting happened two weekends ago and we set out the structure for the film as follows:
1. Stacking Plates
2. Staring at Plates
3. Crashing of the Plates
*Potentially Staring, Again
4. Re-stacking of the Plates
5. Tick Tock Behind Plates
It is this final "Tick Tock Shape" that then carries over into the live dancing, allowing the piece to continue to flow from film to space. After the "dancing" ends, I (Katie) sit up and stare at my plates. It is at that moment that video comes back to end the piece with one more, and the final crashing of the plates.